Dead Limit - Koarse Final Tour Gabber Edit
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 8d
- Energy
- 99/100
- Pop
- 14/100
- Length
- 3:49
- Released
- 2023
- Album
- The Resonance VI
- Genre
- Drum N Bass
- Loudness
- -1.5 dB
- Dynamics
- 11.9 dB
- ISRC
- UKU932390070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dead Limitoriginal3B · 172
- Dead Limit - Teddy Killerz Remixremix3B · 172
- Dead Limit (Noisia's 'Outer Edges' Remix)remix4A · 172
- Dead Limit - Simula Remixremix3B · 175
Against the original (3B at 172 BPM), this version holds the same tempo in the same key.
Dead Limit - Koarse Final Tour Gabber Edit runs 172 BPM in D♭ major (3B), a drum n bass record. The feel is dark and driving. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 97% of Noisia's catalogue. For programming, treat it as an opener or closing-set piece.
- Brightness:
- darker than 93% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Dead Limit - Koarse Final Tour Gabber Edit in?
Dead Limit - Koarse Final Tour Gabber Edit by Noisia is in D♭ major, or 3B on the Camelot wheel.
What BPM is Dead Limit - Koarse Final Tour Gabber Edit?
Dead Limit - Koarse Final Tour Gabber Edit runs at 172 BPM.
What mixes well with Dead Limit - Koarse Final Tour Gabber Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Dead Limit - Koarse Final Tour Gabber Edit good for peak time?
With energy 99 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 172 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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