Lost Cause by Noisia cover art

Lost Cause

Noisia

30s preview

Key
4B · A♭ major
BPM
172
Half-time
86
Open Key
9d
Energy
97/100
Pop
9/100
Length
5:54
Released
2006
Album
Lost Cause / Choke
Genre
Drum N Bass
Loudness
-2.7 dB
Dynamics
14.6 dB
ISRC
NLCK40700042

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Lost Cause: drum n bass, A♭ major (4B), 172 BPM. Tonally it lands dark and driving. The groove is loose and less beat-driven. Spoken-word passages run through it. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2006 production that still circulates in sets. Less groove-driven than 91% of Noisia's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 85% of Noisia's catalogue
Brightness:
darker than 77% of Noisia's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood11Dark
Groove35
Acoustic1
Instrumental59
Live22
Speech40

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Lost Cause in?

Lost Cause by Noisia is in A♭ major, or 4B on the Camelot wheel.

What BPM is Lost Cause?

Lost Cause runs at 172 BPM.

What mixes well with Lost Cause?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Lost Cause good for peak time?

With energy 97 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 172 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Noisia

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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