Concussion - Mefjus Remix
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 8d
- Energy
- 98/100
- Pop
- 23/100
- Length
- 3:46
- Released
- 2022
- Album
- The Resonance IV
- Genre
- Drum N Bass
- Loudness
- -0.5 dB
- Dynamics
- 13.9 dB
- ISRC
- UKU932290025
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Concussionoriginal3A · 172
Against the original (3A at 172 BPM), this version holds the same tempo and moves the key from 3A to 3B.
A drum n bass cut, Concussion - Mefjus Remix sits in D♭ major (3B) at 172 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 90% of Noisia's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- better known than 90% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Concussion - Mefjus Remix in?
Concussion - Mefjus Remix by Noisia is in D♭ major, or 3B on the Camelot wheel.
What BPM is Concussion - Mefjus Remix?
Concussion - Mefjus Remix runs at 172 BPM.
What mixes well with Concussion - Mefjus Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Concussion - Mefjus Remix good for peak time?
With energy 98 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 172 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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