Hit You Where You Live
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 8m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 4:11
- Released
- 2014
- Genre
- Drum N Bass
- Loudness
- -3.0 dB
- Dynamics
- 10.8 dB
- ISRC
- GBRF51400016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 172 BPM in B♭ minor (3A), Hit You Where You Live is a drum n bass production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Bcee's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more bass-heavy than 91% of Bcee's catalogue
- Energy:
- hotter than 89% of Bcee's catalogue
- Groove:
- groovier than 85% of Bcee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Hit You Where You Live in?
Hit You Where You Live by Bcee is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Hit You Where You Live?
Hit You Where You Live runs at 172 BPM.
What mixes well with Hit You Where You Live?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Hit You Where You Live good for peak time?
With energy 97 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Bcee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.