RATBAT - Zed Bias Dirty Remix by Zed Bias cover art

RATBAT - Zed Bias Dirty Remix

Zed Bias

Key
8A · A minor
BPM
128
Open Key
1m
Energy
91/100
Pop
0/100
Length
2:34
Released
2024
Album
RATBAT (Zed Bias Remixes)
Genre
Uk Garage
Loudness
-4.3 dB
ISRC
GBKQU2455646
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo uk garage cut, RATBAT - Zed Bias Dirty Remix sits in A minor (8A) at 128 BPM. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. More underground than 99% of Zed Bias's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 89% of Zed Bias's catalogue
Energy:
hotter than 83% of Zed Bias's catalogue
Groove:
groovier than 80% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood83Bright
Groove81
Acoustic2
Instrumental2
Live5
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is RATBAT - Zed Bias Dirty Remix in?

RATBAT - Zed Bias Dirty Remix by Zed Bias is in A minor, or 8A on the Camelot wheel.

What BPM is RATBAT - Zed Bias Dirty Remix?

RATBAT - Zed Bias Dirty Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with RATBAT - Zed Bias Dirty Remix?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is RATBAT - Zed Bias Dirty Remix good for peak time?

With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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