A.D.L
30s preview
- BPM
- 126
- Open Key
- 7m
- Energy
- 93/100
- Pop
- 7/100
- Length
- 4:58
- Released
- 2018
- Genre
- Uk Garage
- Loudness
- -6.8 dB
- Dynamics
- 18.0 dB
- ISRC
- UK3XD1800005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo uk garage cut, A.D.L sits in E♭ minor (2A) at 126 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 2018 production that still circulates in sets. Hotter than 88% of Zed Bias's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 87% of Zed Bias's catalogue
- Reach:
- better known than 85% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is A.D.L in?
A.D.L by Zed Bias is in E♭ minor, or 2A on the Camelot wheel.
What BPM is A.D.L?
A.D.L runs at 126 BPM, a club-tempo track.
What mixes well with A.D.L?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is A.D.L good for peak time?
With energy 93 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
![Back to Then (Todd Edwards Remix) [Edit] by Todd Edwards cover art](https://i.scdn.co/image/ab67616d00001e0291f6e89b8175cf0bab3ea158){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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