![Back to Then (Todd Edwards Remix) [Edit] by Todd Edwards cover art](https://i.scdn.co/image/ab67616d00001e0291f6e89b8175cf0bab3ea158)
Back to Then (Todd Edwards Remix) [Edit]
- BPM
- 126
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 9/100
- Length
- 3:19
- Released
- 2020
- Album
- Back To Then (Todd Edwards Remix)
- Genre
- Uk Garage
- Loudness
- -4.4 dB
- ISRC
- GBCEN2000089
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back to Then - Todd Edwards Remixremix11A · 126
Back to Then (Todd Edwards Remix) [Edit] is a club-tempo uk garage track in F♯ minor (11A) at 126 BPM. It is vocal-led. The master is loud and heavily compressed. Hotter than 94% of Todd Edwards's catalogue.
- Reach:
- better known than 85% of Todd Edwards's catalogue
- Brightness:
- brighter than 78% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Back to Then (Todd Edwards Remix) [Edit] in?
Back to Then (Todd Edwards Remix) [Edit] by Todd Edwards is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Back to Then (Todd Edwards Remix) [Edit]?
Back to Then (Todd Edwards Remix) [Edit] runs at 126 BPM, a club-tempo track.
What mixes well with Back to Then (Todd Edwards Remix) [Edit]?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Back to Then (Todd Edwards Remix) [Edit] good for peak time?
With energy 94 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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