Diamond Life - Kenny Summit's Remix
30s preview
- Key
- 1B · B major
- BPM
- 126
- Open Key
- 6d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 7:38
- Released
- 2001
- Album
- Diamond Life
- Genre
- House
- Loudness
- -5.9 dB
- Dynamics
- 12.9 dB
- ISRC
- GBCPZ1508513
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Diamond Life (feat. Julie McKnight) - Richard Earnshaw Remixremix12A · 127
- Diamond Life - Acapellaoriginal1A · 125
- Diamond Life - Diamond Mixoriginal11B · 124
- Diamond Life - Masters At Work Mixoriginal11A · 127
- Diamond Life - Dance Ritual Mixoriginal11B · 124
- Diamond Life - Old School Dubversion4B · 127
Against the original (1A at 125 BPM), this version runs 1 BPM faster and moves the key from 1A to 1B.
At 126 BPM in B major (1B), Diamond Life - Kenny Summit's Remix is a club-tempo house production. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2001 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 95% of Louie Vega's catalogue
- Low end:
- more treble-tilted than 95% of Louie Vega's catalogue
- Groove:
- groovier than 78% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Diamond Life - Kenny Summit's Remix in?
Diamond Life - Kenny Summit's Remix by Louie Vega is in B major, or 1B on the Camelot wheel.
What BPM is Diamond Life - Kenny Summit's Remix?
Diamond Life - Kenny Summit's Remix runs at 126 BPM, a club-tempo track.
What mixes well with Diamond Life - Kenny Summit's Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Diamond Life - Kenny Summit's Remix good for peak time?
With energy 94 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
![Back to Then (Todd Edwards Remix) [Edit] by Todd Edwards cover art](https://i.scdn.co/image/ab67616d00001e0291f6e89b8175cf0bab3ea158){kind=small}
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.