The Outsiders
30s preview
- BPM
- 126
- Open Key
- 5m
- Energy
- 95/100
- Pop
- 14/100
- Length
- 10:03
- Released
- 2017
- Genre
- House
- Loudness
- -6.0 dB
- Dynamics
- 10.0 dB
- ISRC
- FR59R1781725
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Outsiders: club-tempo house, D♭ minor (12A), 126 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Hotter than 93% of Ross From Friends's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 93% of Ross From Friends's catalogue
- Groove:
- groovier than 87% of Ross From Friends's catalogue
- Low end:
- more treble-tilted than 78% of Ross From Friends's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Outsiders in?
The Outsiders by Ross From Friends is in D♭ minor, or 12A on the Camelot wheel.
What BPM is The Outsiders?
The Outsiders runs at 126 BPM, a club-tempo track.
What mixes well with The Outsiders?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is The Outsiders good for peak time?
With energy 95 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Ross From Friends
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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