Going Back by Anthony Attalla cover art

Going Back

Anthony Attalla

30s preview

Key
1B · B major
BPM
126
Open Key
6d
Energy
95/100
Pop
1/100
Length
7:14
Released
2020
Album
Tres, Vol. 6
Genre
Tech House
Loudness
-5.7 dB
Dynamics
11.6 dB
ISRC
QMPLY2000032

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in B major (1B), Going Back is a club-tempo tech house production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 77% of Anthony Attalla's catalogue. In a set it works best as a peak-time weapon.

Brightness:
darker than 77% of Anthony Attalla's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood33Dark
Groove77
Acoustic1
Instrumental93
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Going Back in?

Going Back by Anthony Attalla is in B major, or 1B on the Camelot wheel.

What BPM is Going Back?

Going Back runs at 126 BPM, a club-tempo track.

What mixes well with Going Back?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Going Back good for peak time?

With energy 95 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More tech house

More from Anthony Attalla

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track