Freedom - Todd Terry Dub Sytle
- Key
- 6A · G minor
- BPM
- 126
- Open Key
- 11m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 6:52
- Released
- 2025
- Album
- Freedom
- Genre
- House
- Loudness
- -3.6 dB
- ISRC
- DEPI82510922
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Freedom - Todd Terry Remixremix9A · 126
- Freedom - Todd Terry Edit Mixversion9A · 126
- Freedom - Todd Terry Inhouse Mixoriginal9A · 126
Against the original (9A at 126 BPM), this version holds the same tempo and moves the key from 9A to 6A.
Freedom - Todd Terry Dub Sytle is a club-tempo house track in G minor (6A) at 126 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master is loud and heavily compressed. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 86% of Todd Terry's catalogue
- Tempo:
- faster than 77% of Todd Terry's catalogue
- Energy:
- hotter than 76% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Freedom - Todd Terry Dub Sytle in?
Freedom - Todd Terry Dub Sytle by Todd Terry is in G minor, or 6A on the Camelot wheel.
What BPM is Freedom - Todd Terry Dub Sytle?
Freedom - Todd Terry Dub Sytle runs at 126 BPM, a club-tempo track.
What mixes well with Freedom - Todd Terry Dub Sytle?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Freedom - Todd Terry Dub Sytle good for peak time?
With energy 93 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 126 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
![Back to Then (Todd Edwards Remix) [Edit] by Todd Edwards cover art](https://i.scdn.co/image/ab67616d00001e0291f6e89b8175cf0bab3ea158){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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