All I Need (Todd's Tribal mix)
30s preview
- Key
- 9A · E minor
- BPM
- 126
- Open Key
- 2m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 6:03
- Released
- 1995
- Genre
- Uk Garage
- Loudness
- -7.3 dB
- Dynamics
- 8.9 dB
- ISRC
- GBCPZ9517866
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in E minor (9A), All I Need (Todd's Tribal mix) is a club-tempo uk garage production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 1995 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 96% of Todd Edwards's catalogue
- Brightness:
- darker than 90% of Todd Edwards's catalogue
- Low end:
- more bass-heavy than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is All I Need (Todd's Tribal mix) in?
All I Need (Todd's Tribal mix) by Todd Edwards is in E minor, or 9A on the Camelot wheel.
What BPM is All I Need (Todd's Tribal mix)?
All I Need (Todd's Tribal mix) runs at 126 BPM, a club-tempo track.
What mixes well with All I Need (Todd's Tribal mix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is All I Need (Todd's Tribal mix) good for peak time?
With energy 96 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![The Calling [Club Qu] by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c79e30f17ec604f18898.webp){kind=small}
How to mix it
In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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