Scorpion (The Ghetto) - Melé Remix
- BPM
- 126
- Open Key
- 7d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:30
- Released
- 2019
- Album
- Scorpion (The Ghetto) [The Remixes]
- Genre
- House
- Loudness
- -5.1 dB
- ISRC
- GBKQU1952427
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Scorpion (The Ghetto) - Javi Bora Remixremix3B · 124
- Scorpion (The Ghetto)original10A · 124
- Scorpion (The Ghetto) - Dub Mixversion3A · 124
Against the original (10A at 124 BPM), this version runs 2 BPM faster and moves the key from 10A to 2B.
A club-tempo house cut, Scorpion (The Ghetto) - Melé Remix sits in F♯ major (2B) at 126 BPM. It reads as dark and driving. The groove is strong and floor-ready. More underground than 99% of Roger Sanchez's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 98% of Roger Sanchez's catalogue
- Brightness:
- darker than 82% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Scorpion (The Ghetto) - Melé Remix in?
Scorpion (The Ghetto) - Melé Remix by Roger Sanchez is in F♯ major, or 2B on the Camelot wheel.
What BPM is Scorpion (The Ghetto) - Melé Remix?
Scorpion (The Ghetto) - Melé Remix runs at 126 BPM, a club-tempo track.
What mixes well with Scorpion (The Ghetto) - Melé Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Scorpion (The Ghetto) - Melé Remix good for peak time?
With energy 99 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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