Tribe of The Night - Trionisphere Live
- BPM
- 126
- Open Key
- 8d
- Energy
- 99/100
- Pop
- 1/100
- Length
- 4:14
- Released
- 2003
- Album
- Trionisphere (Live)
- Genre
- Deep House
- Loudness
- -5.4 dB
- ISRC
- USA670400301
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tribe of the Nightoriginal11B · 124
- Tribe of The Nightoriginal11B · 124
Against the original (11B at 124 BPM), this version runs 2 BPM faster and moves the key from 11B to 3B.
Tribe of The Night - Trionisphere Live is a club-tempo deep house track in D♭ major (3B) at 126 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. A 2003 production that still circulates in sets. Hotter than 99% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 99% of Kerri Chandler's catalogue
- Groove:
- groovier than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tribe of The Night - Trionisphere Live in?
Tribe of The Night - Trionisphere Live by Kerri Chandler is in D♭ major, or 3B on the Camelot wheel.
What BPM is Tribe of The Night - Trionisphere Live?
Tribe of The Night - Trionisphere Live runs at 126 BPM, a club-tempo track.
What mixes well with Tribe of The Night - Trionisphere Live?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Tribe of The Night - Trionisphere Live good for peak time?
With energy 99 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![The Calling [Club Qu] by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c79e30f17ec604f18898.webp){kind=small}
Every insight on this page, for your own library.
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