The Track
- BPM
- 126
- Open Key
- 5d
- Energy
- 92/100
- Pop
- 3/100
- Length
- 6:04
- Released
- 2016
- Album
- DJ Shorty & Todd Edwards Present Underground People: Disappear
- Genre
- Uk Garage
- Loudness
- -9.2 dB
- ISRC
- QZS1Z1615549
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Track is a club-tempo uk garage track in E major (12B) at 126 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. A 2016 production that still circulates in sets. Hotter than 92% of Todd Edwards's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 91% of Todd Edwards's catalogue
- Groove:
- less groove-driven than 89% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Track in?
The Track by Todd Edwards is in E major, or 12B on the Camelot wheel.
What BPM is The Track?
The Track runs at 126 BPM, a club-tempo track.
What mixes well with The Track?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is The Track good for peak time?
With energy 92 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 126 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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