Nobody To Love - Grum Radio Edit
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 2/100
- Length
- 3:58
- Released
- 2014
- Album
- Nobody To Love (Remixes)
- Genre
- Drum N Bass
- Loudness
- -5.1 dB
- ISRC
- GBSXS1400079
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nobody to Love (By Luca)original5B · 175
- Nobody To Love - Extended Mixversion4B · 175
- Nobody To Love - Sigma's Future Jungle Mixoriginal5A · 175
- Nobody To Love - TS7 Remixremix4B · 127
- Nobody To Love - Instrumental Mixoriginal4B · 175
- Nobody To Love - Jakwob Remixremix4B · 125
Against the original (5B at 175 BPM), this version runs 50 BPM slower and moves the key from 5B to 4A.
At 125 BPM in F minor (4A), Nobody To Love - Grum Radio Edit is a club-tempo drum n bass production. It is vocal-led. A 2014 production that still circulates in sets. Hotter than 82% of Sigma's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Nobody To Love - Grum Radio Edit in?
Nobody To Love - Grum Radio Edit by Sigma is in F minor, or 4A on the Camelot wheel.
What BPM is Nobody To Love - Grum Radio Edit?
Nobody To Love - Grum Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with Nobody To Love - Grum Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Nobody To Love - Grum Radio Edit good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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