Rest Of My Life - Clear Six Edit
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 97/100
- Pop
- 8/100
- Length
- 2:47
- Released
- 2020
- Album
- Rest Of My Life (Clear Six Edit)
- Genre
- Drum N Bass
- Loudness
- -4.2 dB
- Dynamics
- 11.2 dB
- ISRC
- GBSXS2000048
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rest Of My Life - Rollout Mixoriginal3A · 90
- Rest Of My Lifeoriginal3B · 105
- Rest Of My Life - Team Salut Remixremix3A · 105
- Rest Of My Life - Skepsis Remixremix3B · 130
- Rest Of My Life - Kokiri Remixremix3B · 125
Against the original (3A at 90 BPM), this version runs 34 BPM faster in the same key.
At 124 BPM in B♭ minor (3A), Rest Of My Life - Clear Six Edit is a club-tempo drum n bass production. The feel is bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 96% of Sigma's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 94% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Rest Of My Life - Clear Six Edit in?
Rest Of My Life - Clear Six Edit by Sigma is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Rest Of My Life - Clear Six Edit?
Rest Of My Life - Clear Six Edit runs at 124 BPM, a club-tempo track.
What mixes well with Rest Of My Life - Clear Six Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Rest Of My Life - Clear Six Edit good for peak time?
With energy 97 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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