Who's Loving You - Deetron Remix
30s preview
- Key
- 5A · C minor
- BPM
- 125
- Open Key
- 10m
- Energy
- 92/100
- Pop
- 2/100
- Length
- 6:03
- Released
- 2014
- Album
- Who's Loving You
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- Dynamics
- 15.2 dB
- ISRC
- GBUM71404768
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Who's Loving You - Pt. 2original9A · 173
- Who's Loving You - Pt. 1original4A · 130
- Who's Loving You - Copy Paste Soul's 2Swords Remixremix6A · 124
Against the original (9A at 173 BPM), this version runs 48 BPM slower and moves the key from 9A to 5A.
Who's Loving You - Deetron Remix runs 125 BPM in C minor (5A), a club-tempo drum n bass record. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2014 production that still circulates in sets. More treble-tilted than 98% of High Contrast's catalogue.
- Brightness:
- brighter than 95% of High Contrast's catalogue
- Groove:
- groovier than 85% of High Contrast's catalogue
- Tempo:
- slower than 81% of High Contrast's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Who's Loving You - Deetron Remix in?
Who's Loving You - Deetron Remix by High Contrast is in C minor, or 5A on the Camelot wheel.
What BPM is Who's Loving You - Deetron Remix?
Who's Loving You - Deetron Remix runs at 125 BPM, a club-tempo track.
What mixes well with Who's Loving You - Deetron Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Who's Loving You - Deetron Remix good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 125 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
More from High Contrast
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.