Matter Of Fact - 2008 Re-edit
- BPM
- 170
- Half-time
- 85
- Open Key
- 3m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 3:57
- Released
- 2008
- Album
- Roni Size Reprazent - New Forms2
- Genre
- Drum N Bass
- Loudness
- -11.1 dB
- ISRC
- GBUM70801701
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Matter Of Factoriginal10A · 170
Against the original (10A at 170 BPM), this version holds the same tempo in the same key.
Matter Of Fact - 2008 Re-edit runs 170 BPM in B minor (10A), a very fast drum n bass record. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. More underground than 99% of Roni Size's catalogue.
- Brightness:
- darker than 92% of Roni Size's catalogue
- Groove:
- less groove-driven than 85% of Roni Size's catalogue
- Energy:
- calmer than 78% of Roni Size's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Matter Of Fact - 2008 Re-edit in?
Matter Of Fact - 2008 Re-edit by Roni Size is in B minor, or 10A on the Camelot wheel.
What BPM is Matter Of Fact - 2008 Re-edit?
Matter Of Fact - 2008 Re-edit runs at 170 BPM, a very fast track.
What mixes well with Matter Of Fact - 2008 Re-edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Matter Of Fact - 2008 Re-edit good for peak time?
With energy 84 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 170 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Roni Size
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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