Obatala Nla - Bria 83 Orchestra Mix
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 9d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 4:31
- Released
- 2025
- Album
- In Spite of Everything (Bria 83 Orchestra Remixes PT.1)
- Genre
- Tribal
- Loudness
- -9.8 dB
- Dynamics
- 12.0 dB
- ISRC
- QMFME2585435
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Obatala Nlaoriginal2B · 115
- Obatala Nla - Main Mixoriginal2B · 115
- Obatala Nla - Inst Mixoriginal11A · 115
Obatala Nla - Bria 83 Orchestra Mix: tribal, A♭ major (4B), 172 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 99% of Boddhi Satva's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 99% of Boddhi Satva's catalogue
- Tempo:
- faster than 97% of Boddhi Satva's catalogue
- Low end:
- more treble-tilted than 78% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Obatala Nla - Bria 83 Orchestra Mix in?
Obatala Nla - Bria 83 Orchestra Mix by Boddhi Satva is in A♭ major, or 4B on the Camelot wheel.
What BPM is Obatala Nla - Bria 83 Orchestra Mix?
Obatala Nla - Bria 83 Orchestra Mix runs at 172 BPM.
What mixes well with Obatala Nla - Bria 83 Orchestra Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Obatala Nla - Bria 83 Orchestra Mix good for peak time?
With energy 62 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 172 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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