Kabza Chant (feat. Young Stunna, Nkosazana Daughter, Mthunzi, Nokwazi, Anzo, Mashudu, Murumba Pitch & Tman Xpress)
- Key
- 4A · F minor
- BPM
- 172
- Half-time
- 86
- Open Key
- 9m
- Energy
- 47/100
- Pop
- 51/100
- Length
- 15:32
- Released
- 2024
- Genre
- African
- Loudness
- -13.7 dB
- ISRC
- ZB88P2400390
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
An african cut, Kabza Chant (feat. Young Stunna, Nkosazana Daughter, Mthunzi, Nokwazi, Anzo, Mashudu, Murumba Pitch & Tman Xpress) sits in F minor (4A) at 172 BPM. Tonally it lands balanced in mood. It is vocal-led. The master keeps real dynamic headroom. Faster than 99% of Kabza De Small's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 98% of Kabza De Small's catalogue
- Groove:
- less groove-driven than 94% of Kabza De Small's catalogue
- Brightness:
- brighter than 87% of Kabza De Small's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Kabza Chant (feat. Young Stunna, Nkosazana Daughter, Mthunzi, Nokwazi, Anzo, Mashudu, Murumba Pitch & Tman Xpress) in?
Kabza Chant (feat. Young Stunna, Nkosazana Daughter, Mthunzi, Nokwazi, Anzo, Mashudu, Murumba Pitch & Tman Xpress) by Kabza De Small is in F minor, or 4A on the Camelot wheel.
What BPM is Kabza Chant (feat. Young Stunna, Nkosazana Daughter, Mthunzi, Nokwazi, Anzo, Mashudu, Murumba Pitch & Tman Xpress)?
Kabza Chant (feat. Young Stunna, Nkosazana Daughter, Mthunzi, Nokwazi, Anzo, Mashudu, Murumba Pitch & Tman Xpress) runs at 172 BPM.
What mixes well with Kabza Chant (feat. Young Stunna, Nkosazana Daughter, Mthunzi, Nokwazi, Anzo, Mashudu, Murumba Pitch & Tman Xpress)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Kabza Chant (feat. Young Stunna, Nkosazana Daughter, Mthunzi, Nokwazi, Anzo, Mashudu, Murumba Pitch & Tman Xpress) good for peak time?
With energy 47 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 172 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More african
More from Kabza De Small
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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