Battle Scars
- BPM
- 172
- Half-time
- 86
- Open Key
- 3m
- Energy
- 49/100
- Pop
- 3/100
- Length
- 4:12
- Released
- 2014
- Genre
- Punk
- Loudness
- -6.1 dB
- ISRC
- GBPWR1600486
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 172 BPM in B minor (10A), Battle Scars is a punk production. It reads as balanced in mood. Rhythmically it is built for the dancefloor. A 2014 production that still circulates in sets. Calmer than 98% of Friction's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- groovier than 98% of Friction's catalogue
- Brightness:
- brighter than 75% of Friction's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Battle Scars in?
Battle Scars by Friction is in B minor, or 10A on the Camelot wheel.
What BPM is Battle Scars?
Battle Scars runs at 172 BPM.
What mixes well with Battle Scars?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Battle Scars good for peak time?
With energy 49 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 172 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More punk
More from Friction
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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