BEBATHINI (feat. Kwesta, Papta Mancane & SLY)
30s preview
- BPM
- 90
- Double-time
- 180
- Open Key
- 9d
- Energy
- 68/100
- Pop
- 12/100
- Length
- 3:44
- Released
- 2023
- Genre
- African
- Loudness
- -4.7 dB
- Dynamics
- 14.5 dB
- ISRC
- ZB88P2300279
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo african cut, BEBATHINI (feat. Kwesta, Papta Mancane & SLY) sits in A♭ major (4B) at 90 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). Slower than 99% of Kabza De Small's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more treble-tilted than 99% of Kabza De Small's catalogue
- Groove:
- less groove-driven than 89% of Kabza De Small's catalogue
- Brightness:
- brighter than 80% of Kabza De Small's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is BEBATHINI (feat. Kwesta, Papta Mancane & SLY) in?
BEBATHINI (feat. Kwesta, Papta Mancane & SLY) by Kabza De Small is in A♭ major, or 4B on the Camelot wheel.
What BPM is BEBATHINI (feat. Kwesta, Papta Mancane & SLY)?
BEBATHINI (feat. Kwesta, Papta Mancane & SLY) runs at 90 BPM, a slow-groove tempo track.
What mixes well with BEBATHINI (feat. Kwesta, Papta Mancane & SLY)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is BEBATHINI (feat. Kwesta, Papta Mancane & SLY) good for peak time?
With energy 68 out of 100 at 90 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 90 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 90 — beatmatch without a big tempo pull.
More african
More from Kabza De Small
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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