One on One (feat. Toss & Pervader)
30s preview
- BPM
- 92
- Double-time
- 184
- Open Key
- 3m
- Energy
- 77/100
- Pop
- 17/100
- Length
- 3:24
- Released
- 2022
- Genre
- African
- Loudness
- -4.0 dB
- Dynamics
- 9.5 dB
- ISRC
- ZAA012200483
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 92 BPM in B minor (10A), One on One (feat. Toss & Pervader) is a slow-groove tempo african production. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Brighter than 99% of Kabza De Small's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- slower than 98% of Kabza De Small's catalogue
- Groove:
- less groove-driven than 92% of Kabza De Small's catalogue
- Energy:
- hotter than 84% of Kabza De Small's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is One on One (feat. Toss & Pervader) in?
One on One (feat. Toss & Pervader) by Kabza De Small is in B minor, or 10A on the Camelot wheel.
What BPM is One on One (feat. Toss & Pervader)?
One on One (feat. Toss & Pervader) runs at 92 BPM, a slow-groove tempo track.
What mixes well with One on One (feat. Toss & Pervader)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is One on One (feat. Toss & Pervader) good for peak time?
With energy 77 out of 100 at 92 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 92 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 92 — beatmatch without a big tempo pull.
More african
More from Kabza De Small
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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