Frontline (Robert Hood Re-Plant Remix) by Mark Broom cover art

Frontline (Robert Hood Re-Plant Remix)

Mark Broom

Key
4B · A♭ major
BPM
171
Half-time
86
Open Key
9d
Energy
48/100
Pop
0/100
Length
5:40
Released
2015
Genre
Minimal
Loudness
-12.3 dB
ISRC
GB6WQ1500065

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Frontline (Robert Hood Re-Plant Remix): minimal, A♭ major (4B), 171 BPM. The feel is dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Calmer than 99% of Mark Broom's catalogue. In a set it works best as an opener or closing-set piece.

Tempo:
faster than 99% of Mark Broom's catalogue
Groove:
less groove-driven than 99% of Mark Broom's catalogue
Reach:
more underground than 99% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood28Dark
Groove28
Acoustic13
Instrumental91
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Frontline (Robert Hood Re-Plant Remix) in?

Frontline (Robert Hood Re-Plant Remix) by Mark Broom is in A♭ major, or 4B on the Camelot wheel.

What BPM is Frontline (Robert Hood Re-Plant Remix)?

Frontline (Robert Hood Re-Plant Remix) runs at 171 BPM.

What mixes well with Frontline (Robert Hood Re-Plant Remix)?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Frontline (Robert Hood Re-Plant Remix) good for peak time?

With energy 48 out of 100 at 171 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 171 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 171 — beatmatch without a big tempo pull.

#TrackKey·BPM

More minimal

#TrackKey·BPM

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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