Frontline (Robert Hood Re-Plant Remix)
- BPM
- 171
- Half-time
- 86
- Open Key
- 9d
- Energy
- 48/100
- Pop
- 0/100
- Length
- 5:40
- Released
- 2015
- Genre
- Minimal
- Loudness
- -12.3 dB
- ISRC
- GB6WQ1500065
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Frontline (Robert Hood Re-Plant Remix): minimal, A♭ major (4B), 171 BPM. The feel is dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Calmer than 99% of Mark Broom's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 99% of Mark Broom's catalogue
- Groove:
- less groove-driven than 99% of Mark Broom's catalogue
- Reach:
- more underground than 99% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Frontline (Robert Hood Re-Plant Remix) in?
Frontline (Robert Hood Re-Plant Remix) by Mark Broom is in A♭ major, or 4B on the Camelot wheel.
What BPM is Frontline (Robert Hood Re-Plant Remix)?
Frontline (Robert Hood Re-Plant Remix) runs at 171 BPM.
What mixes well with Frontline (Robert Hood Re-Plant Remix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Frontline (Robert Hood Re-Plant Remix) good for peak time?
With energy 48 out of 100 at 171 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 171 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 171 — beatmatch without a big tempo pull.
More minimal
More from Mark Broom
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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