2nd Home
30s preview
- Key
- 6A · G minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 11m
- Energy
- 28/100
- Pop
- 1/100
- Length
- 3:26
- Released
- 2017
- Genre
- Minimal
- Loudness
- -14.8 dB
- Dynamics
- 14.2 dB
- ISRC
- GBLTF1700026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A minimal cut, 2nd Home sits in G minor (6A) at 174 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. Less groove-driven than 99% of Radio Slave's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 97% of Radio Slave's catalogue
- Tempo:
- faster than 97% of Radio Slave's catalogue
- Brightness:
- darker than 89% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is 2nd Home in?
2nd Home by Radio Slave is in G minor, or 6A on the Camelot wheel.
What BPM is 2nd Home?
2nd Home runs at 174 BPM.
What mixes well with 2nd Home?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is 2nd Home good for peak time?
With energy 28 out of 100 at 174 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 174 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More minimal
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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