Cut It Rough by Fritz Kalkbrenner cover art

Cut It Rough

Fritz Kalkbrenner

30s preview

Key
3B · D♭ major
BPM
174
Half-time
87
Open Key
8d
Energy
55/100
Pop
0/100
Length
3:37
Released
2022
Genre
Minimal
Loudness
-11.9 dB
Dynamics
12.0 dB
ISRC
DEAW12200007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Cut It Rough: minimal, D♭ major (3B), 174 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Fritz Kalkbrenner's catalogue.

Tempo:
faster than 98% of Fritz Kalkbrenner's catalogue
Brightness:
brighter than 92% of Fritz Kalkbrenner's catalogue
Low end:
more treble-tilted than 75% of Fritz Kalkbrenner's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy55
Mood77Bright
Groove71
Acoustic15
Instrumental0
Live7
Speech31

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Cut It Rough in?

Cut It Rough by Fritz Kalkbrenner is in D♭ major, or 3B on the Camelot wheel.

What BPM is Cut It Rough?

Cut It Rough runs at 174 BPM.

What mixes well with Cut It Rough?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Cut It Rough good for peak time?

With energy 55 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 174 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More minimal

#TrackKey·BPM

More from Fritz Kalkbrenner

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.