3 Minutes for Tehran (Live At Pierre Boulez Saal, Berlin)
30s preview
- BPM
- 85
- Double-time
- 170
- Open Key
- 3m
- Energy
- 50/100
- Pop
- 7/100
- Length
- 3:16
- Released
- 2024
- Album
- Live At Pierre Boulez Saal, Berlin
- Genre
- Minimal
- Loudness
- -17.8 dB
- Dynamics
- 18.5 dB
- ISRC
- DGA082476660
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
3 Minutes for Tehran (Live At Pierre Boulez Saal, Berlin) runs 85 BPM in B minor (10A), a downtempo minimal record. Tonally it lands dark and steady. The groove is loose and less beat-driven. Spoken-word passages run through it. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). Less groove-driven than 99% of Acid Pauli's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 99% of Acid Pauli's catalogue
- Tempo:
- slower than 96% of Acid Pauli's catalogue
- Brightness:
- darker than 80% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is 3 Minutes for Tehran (Live At Pierre Boulez Saal, Berlin) in?
3 Minutes for Tehran (Live At Pierre Boulez Saal, Berlin) by Acid Pauli is in B minor, or 10A on the Camelot wheel.
What BPM is 3 Minutes for Tehran (Live At Pierre Boulez Saal, Berlin)?
3 Minutes for Tehran (Live At Pierre Boulez Saal, Berlin) runs at 85 BPM, a downtempo track.
What mixes well with 3 Minutes for Tehran (Live At Pierre Boulez Saal, Berlin)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is 3 Minutes for Tehran (Live At Pierre Boulez Saal, Berlin) good for peak time?
With energy 50 out of 100 at 85 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 85 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 80-90 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 85 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 85 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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