Muasi Na Ngai - Instrumental Mix
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 8m
- Energy
- 49/100
- Pop
- 0/100
- Length
- 3:46
- Released
- 2018
- Album
- Muasi Na Ngai
- Genre
- Tribal
- Loudness
- -13.0 dB
- Dynamics
- 11.8 dB
- ISRC
- QM6MZ1874441
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Muasi Na Ngaioriginal3A · 100
- Muasi Na Ngai - Percy Versionoriginal3A · 100
- Muasi Na Ngai - Jian Amari Remixremix2A · 100
- Muasi Na Ngai - Main Mixoriginal3A · 100
- Muasi Na Ngai - Percy Versionoriginal3A · 100
Against the original (3A at 100 BPM), this version holds the same tempo in the same key.
A slow-groove tempo tribal cut, Muasi Na Ngai - Instrumental Mix sits in B♭ minor (3A) at 100 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Less groove-driven than 99% of Boddhi Satva's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Boddhi Satva's catalogue
- Tempo:
- slower than 95% of Boddhi Satva's catalogue
- Brightness:
- darker than 85% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Muasi Na Ngai - Instrumental Mix in?
Muasi Na Ngai - Instrumental Mix by Boddhi Satva is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Muasi Na Ngai - Instrumental Mix?
Muasi Na Ngai - Instrumental Mix runs at 100 BPM, a slow-groove tempo track.
What mixes well with Muasi Na Ngai - Instrumental Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Muasi Na Ngai - Instrumental Mix good for peak time?
With energy 49 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 100 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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