
Muasi Na Ngai
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 8m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 3:46
- Released
- 2020
- Album
- Trouble Fête
- Genre
- Tribal
- Loudness
- -7.0 dB
- Dynamics
- 13.5 dB
- ISRC
- GBEQT1900486
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Muasi Na Ngai - Percy Versionoriginal3A · 100
- Muasi Na Ngai - Instrumental Mixoriginal3A · 100
- Muasi Na Ngai - Jian Amari Remixremix2A · 100
- Muasi Na Ngai - Main Mixoriginal3A · 100
- Muasi Na Ngai - Percy Versionoriginal3A · 100
At 100 BPM in B♭ minor (3A), Muasi Na Ngai is a slow-groove tempo tribal production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Boddhi Satva's catalogue.
- Tempo:
- slower than 95% of Boddhi Satva's catalogue
- Groove:
- less groove-driven than 86% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Muasi Na Ngai in?
Muasi Na Ngai by Boddhi Satva is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Muasi Na Ngai?
Muasi Na Ngai runs at 100 BPM, a slow-groove tempo track.
What mixes well with Muasi Na Ngai?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Muasi Na Ngai good for peak time?
With energy 70 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 100 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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