Muasi Na Ngai - Jian Amari Remix
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 7m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 4:06
- Released
- 2018
- Album
- Muasi Na Ngai
- Genre
- Tribal
- Loudness
- -8.8 dB
- Dynamics
- 12.8 dB
- ISRC
- QM6MZ1874442
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Muasi Na Ngaioriginal3A · 100
- Muasi Na Ngai - Percy Versionoriginal3A · 100
- Muasi Na Ngai - Instrumental Mixoriginal3A · 100
- Muasi Na Ngai - Main Mixoriginal3A · 100
- Muasi Na Ngai - Percy Versionoriginal3A · 100
Against the original (3A at 100 BPM), this version holds the same tempo and moves the key from 3A to 2A.
At 100 BPM in E♭ minor (2A), Muasi Na Ngai - Jian Amari Remix is a slow-groove tempo tribal production. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 95% of Boddhi Satva's catalogue
- Groove:
- less groove-driven than 76% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Muasi Na Ngai - Jian Amari Remix in?
Muasi Na Ngai - Jian Amari Remix by Boddhi Satva is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Muasi Na Ngai - Jian Amari Remix?
Muasi Na Ngai - Jian Amari Remix runs at 100 BPM, a slow-groove tempo track.
What mixes well with Muasi Na Ngai - Jian Amari Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Muasi Na Ngai - Jian Amari Remix good for peak time?
With energy 74 out of 100 at 100 BPM, it works best as a floor-filler.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 100 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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