Hallelujah - Demarkus Lewis Remix
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 1996
- Album
- Hallelujah
- Genre
- Deep House
- Loudness
- -8.0 dB
- Dynamics
- 10.4 dB
- ISRC
- USA671300381
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hallelujah - Robosonic Remixremix1A · 124
- Hallelujah - Kaoz Club Mixversion3A · 124
- Hallelujahoriginal3A · 124
- Hallelujahoriginal3A · 124
- Hallelujah - 6:23 Beatsoriginal10A · 124
- Hallelujah - Angelo Ferreri Jackin Dope Mixoriginal11A · 124
Against the original (3A at 124 BPM), this version runs 2 BPM faster and moves the key from 3A to 3B.
At 126 BPM in D♭ major (3B), Hallelujah - Demarkus Lewis Remix is a club-tempo deep house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 1996 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 83% of Kerri Chandler's catalogue
- Brightness:
- darker than 82% of Kerri Chandler's catalogue
- Groove:
- groovier than 80% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Hallelujah - Demarkus Lewis Remix in?
Hallelujah - Demarkus Lewis Remix by Kerri Chandler is in D♭ major, or 3B on the Camelot wheel.
What BPM is Hallelujah - Demarkus Lewis Remix?
Hallelujah - Demarkus Lewis Remix runs at 126 BPM, a club-tempo track.
What mixes well with Hallelujah - Demarkus Lewis Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Hallelujah - Demarkus Lewis Remix good for peak time?
With energy 63 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.