Here Comes the Rain (2009 Edit)
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 63/100
- Pop
- 0/100
- Length
- 9:01
- Released
- 2009
- Album
- Cry for the Last Dance
- Genre
- Tech House
- Loudness
- -12.2 dB
- Dynamics
- 12.4 dB
- ISRC
- DEBW20900066
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Here Comes the Rainoriginal8A · 126
Against the original (8A at 126 BPM), this version holds the same tempo and moves the key from 8A to 10A.
A club-tempo tech house cut, Here Comes the Rain (2009 Edit) sits in B minor (10A) at 126 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More underground than 99% of Mihalis Safras's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 85% of Mihalis Safras's catalogue
- Groove:
- less groove-driven than 76% of Mihalis Safras's catalogue
- Brightness:
- darker than 75% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Here Comes the Rain (2009 Edit) in?
Here Comes the Rain (2009 Edit) by Mihalis Safras is in B minor, or 10A on the Camelot wheel.
What BPM is Here Comes the Rain (2009 Edit)?
Here Comes the Rain (2009 Edit) runs at 126 BPM, a club-tempo track.
What mixes well with Here Comes the Rain (2009 Edit)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Here Comes the Rain (2009 Edit) good for peak time?
With energy 63 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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