The Creeps (feat. Barry Drift)
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 63/100
- Pop
- 18/100
- Length
- 2:52
- Released
- 2023
- Genre
- Tech House
- Loudness
- -9.8 dB
- Dynamics
- 10.3 dB
- ISRC
- USUYG1510519
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Creeps (feat. Barry Drift) - Mike Kerrigan Remixremix9B · 126
- The Creeps (feat. Barry Drift) - Steve Darko Remixremix3A · 126
A club-tempo tech house cut, The Creeps (feat. Barry Drift) sits in A minor (8A) at 126 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 90% of Claude VonStroke's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 88% of Claude VonStroke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Creeps (feat. Barry Drift) in?
The Creeps (feat. Barry Drift) by Claude VonStroke is in A minor, or 8A on the Camelot wheel.
What BPM is The Creeps (feat. Barry Drift)?
The Creeps (feat. Barry Drift) runs at 126 BPM, a club-tempo track.
What mixes well with The Creeps (feat. Barry Drift)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is The Creeps (feat. Barry Drift) good for peak time?
With energy 63 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Claude VonStroke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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