The Creeps (feat. Barry Drift) - Steve Darko Remix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 85/100
- Pop
- 4/100
- Length
- 4:02
- Released
- 2023
- Album
- The Creeps (feat. Barry Drift)
- Genre
- Tech House
- Loudness
- -5.3 dB
- Dynamics
- 10.0 dB
- ISRC
- USUYG1510520
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Creeps (feat. Barry Drift)original8A · 126
- The Creeps (feat. Barry Drift) - Mike Kerrigan Remixremix9B · 126
Against the original (8A at 126 BPM), this version holds the same tempo and moves the key from 8A to 3A.
The Creeps (feat. Barry Drift) - Steve Darko Remix is a club-tempo tech house track in B♭ minor (3A) at 126 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 82% of Claude VonStroke's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 80% of Claude VonStroke's catalogue
- Energy:
- hotter than 78% of Claude VonStroke's catalogue
- Brightness:
- brighter than 78% of Claude VonStroke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Creeps (feat. Barry Drift) - Steve Darko Remix in?
The Creeps (feat. Barry Drift) - Steve Darko Remix by Claude VonStroke is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Creeps (feat. Barry Drift) - Steve Darko Remix?
The Creeps (feat. Barry Drift) - Steve Darko Remix runs at 126 BPM, a club-tempo track.
What mixes well with The Creeps (feat. Barry Drift) - Steve Darko Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Creeps (feat. Barry Drift) - Steve Darko Remix good for peak time?
With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Claude VonStroke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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