AO - Radio Mix by MJ Cole cover art

AO - Radio Mix

MJ Cole

Key
3B · D♭ major
BPM
128
Open Key
8d
Energy
70/100
Pop
0/100
Length
3:10
Released
2009
Album
AO
Genre
Uk Garage
Loudness
-8.8 dB
ISRC
GBPAB0911508

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (2B at 128 BPM), this version holds the same tempo and moves the key from 2B to 3B.

AO - Radio Mix runs 128 BPM in D♭ major (3B), a peak-time tempo uk garage record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. A 2009 production that still circulates in sets. More underground than 99% of MJ Cole's catalogue. For programming, treat it as a mid-set roller.

Tempo:
slower than 82% of MJ Cole's catalogue
Groove:
groovier than 81% of MJ Cole's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood72Bright
Groove82
Acoustic10
Instrumental0
Live37
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is AO - Radio Mix in?

AO - Radio Mix by MJ Cole is in D♭ major, or 3B on the Camelot wheel.

What BPM is AO - Radio Mix?

AO - Radio Mix runs at 128 BPM, a peak-time tempo track.

What mixes well with AO - Radio Mix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is AO - Radio Mix good for peak time?

With energy 70 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from MJ Cole

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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