Come Go With Me
- BPM
- 128
- Open Key
- 9d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 6:48
- Released
- 1998
- Album
- Copa Cabana EP
- Genre
- House
- Loudness
- -14.8 dB
- ISRC
- NL-Z50-07-00050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in A♭ major (4B), Come Go With Me is a peak-time tempo house production. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1998 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 96% of Gene Farris's catalogue
- Tempo:
- faster than 82% of Gene Farris's catalogue
- Energy:
- calmer than 76% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Come Go With Me in?
Come Go With Me by Gene Farris is in A♭ major, or 4B on the Camelot wheel.
What BPM is Come Go With Me?
Come Go With Me runs at 128 BPM, a peak-time tempo track.
What mixes well with Come Go With Me?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Come Go With Me good for peak time?
With energy 69 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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