Awaken - Dub Radio Edit by Jerome Isma-Ae cover art

Awaken - Dub Radio Edit

Jerome Isma-Ae

Key
10B · D major
BPM
128
Open Key
3d
Energy
68/100
Pop
0/100
Length
3:30
Released
2013
Album
Awaken (Dub Mix)
Genre
Progressive House
Loudness
-6.8 dB
ISRC
NLF711313191

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4A at 128 BPM), this version holds the same tempo and moves the key from 4A to 10B.

At 128 BPM in D major (10B), Awaken - Dub Radio Edit is a peak-time tempo progressive house production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue.

Energy:
calmer than 84% of Jerome Isma-Ae's catalogue
Groove:
groovier than 78% of Jerome Isma-Ae's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood13Dark
Groove75
Acoustic0
Instrumental92
Live40
Speech13

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Awaken - Dub Radio Edit in?

Awaken - Dub Radio Edit by Jerome Isma-Ae is in D major, or 10B on the Camelot wheel.

What BPM is Awaken - Dub Radio Edit?

Awaken - Dub Radio Edit runs at 128 BPM, a peak-time tempo track.

What mixes well with Awaken - Dub Radio Edit?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Awaken - Dub Radio Edit good for peak time?

With energy 68 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#TrackKey·BPM

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More progressive house

#TrackKey·BPM

More from Jerome Isma-Ae

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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