Get On Down - Radio Version
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 3:42
- Released
- 2000
- Album
- Get On Down
- Genre
- Progressive House
- Loudness
- -9.3 dB
- ISRC
- FR6V80033114
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get On Down - Club Mixversion8A · 128
- Get On Down - Stomp Mixoriginal8B · 128
Against the original (8B at 128 BPM), this version holds the same tempo and moves the key from 8B to 8A.
Get On Down - Radio Version is a peak-time tempo progressive house track in A minor (8A) at 128 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2000 production that still circulates in sets. Brighter than 99% of Jerome Isma-Ae's catalogue.
- Reach:
- more underground than 99% of Jerome Isma-Ae's catalogue
- Energy:
- calmer than 85% of Jerome Isma-Ae's catalogue
- Groove:
- groovier than 77% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get On Down - Radio Version in?
Get On Down - Radio Version by Jerome Isma-Ae is in A minor, or 8A on the Camelot wheel.
What BPM is Get On Down - Radio Version?
Get On Down - Radio Version runs at 128 BPM, a peak-time tempo track.
What mixes well with Get On Down - Radio Version?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Get On Down - Radio Version good for peak time?
With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.