Get On Down - Stomp Mix by Jerome Isma-Ae cover art

Get On Down - Stomp Mix

Jerome Isma-Ae

Key
8B · C major
BPM
128
Open Key
1d
Energy
93/100
Pop
0/100
Length
6:41
Released
2000
Album
Get On Down
Genre
Progressive House
Loudness
-9.9 dB
ISRC
FR6V80033115

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Get On Down - Stomp Mix runs 128 BPM in C major (8B), a peak-time tempo progressive house record. The feel is dark and driving. The mix is almost entirely instrumental. A 2000 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 84% of Jerome Isma-Ae's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood16Dark
Groove72
Acoustic0
Instrumental94
Live20
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Get On Down - Stomp Mix in?

Get On Down - Stomp Mix by Jerome Isma-Ae is in C major, or 8B on the Camelot wheel.

What BPM is Get On Down - Stomp Mix?

Get On Down - Stomp Mix runs at 128 BPM, a peak-time tempo track.

What mixes well with Get On Down - Stomp Mix?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Get On Down - Stomp Mix good for peak time?

With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More progressive house

#TrackKey·BPM

More from Jerome Isma-Ae

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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