Still in Love
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:02
- Released
- 2007
- Genre
- House
- Loudness
- -4.3 dB
- Dynamics
- 13.9 dB
- ISRC
- GBEFR0700920
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Still in Love is a peak-time tempo house track in B minor (10A) at 128 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. More underground than 99% of Armand Van Helden's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 86% of Armand Van Helden's catalogue
- Low end:
- more treble-tilted than 85% of Armand Van Helden's catalogue
- Energy:
- hotter than 82% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Still in Love in?
Still in Love by Armand Van Helden is in B minor, or 10A on the Camelot wheel.
What BPM is Still in Love?
Still in Love runs at 128 BPM, a peak-time tempo track.
What mixes well with Still in Love?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Still in Love good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Let My Brain Go - Len Faki Remix [Edit] by Len Faki cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5eabe361f7389f147272.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.