Flashing Lights - Stafford Brothers Remix
- BPM
- 128
- Open Key
- 5m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:30
- Released
- 2011
- Album
- Flashing Lights
- Genre
- House
- Loudness
- -5.4 dB
- ISRC
- QMTGL1200015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flashing Lights - Sidney Samson Remixremix12A · 128
- Flashing Lights - Original Mixoriginal11A · 128
- Flashing Lights - Roger Sanchez vs. Yvan & Dan Daniel Remixremix12A · 128
- Flashing Lights - Sidney Samson Remixremix12A · 128
- Flashing Lights - Kid Massive Remixremix11B · 128
Against the original (11A at 128 BPM), this version holds the same tempo and moves the key from 11A to 12A.
Flashing Lights - Stafford Brothers Remix runs 128 BPM in D♭ minor (12A), a peak-time tempo house record. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 92% of Roger Sanchez's catalogue
- Energy:
- hotter than 85% of Roger Sanchez's catalogue
- Tempo:
- faster than 82% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Flashing Lights - Stafford Brothers Remix in?
Flashing Lights - Stafford Brothers Remix by Roger Sanchez is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Flashing Lights - Stafford Brothers Remix?
Flashing Lights - Stafford Brothers Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Flashing Lights - Stafford Brothers Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Flashing Lights - Stafford Brothers Remix good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.