Flashing Lights - Original Mix
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 60/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 2011
- Album
- Flashing Lights
- Genre
- House
- Loudness
- -6.4 dB
- Dynamics
- 15.5 dB
- ISRC
- QMTGL1200012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flashing Lights - Sidney Samson Remixremix12A · 128
- Flashing Lights - Roger Sanchez vs. Yvan & Dan Daniel Remixremix12A · 128
- Flashing Lights - Sidney Samson Remixremix12A · 128
- Flashing Lights - Stafford Brothers Remixremix12A · 128
- Flashing Lights - Kid Massive Remixremix11B · 128
A peak-time tempo house cut, Flashing Lights - Original Mix sits in F♯ minor (11A) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 16 dB). A 2011 production that still circulates in sets. Less groove-driven than 99% of Roger Sanchez's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Roger Sanchez's catalogue
- Low end:
- more treble-tilted than 92% of Roger Sanchez's catalogue
- Brightness:
- darker than 91% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Flashing Lights - Original Mix in?
Flashing Lights - Original Mix by Roger Sanchez is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Flashing Lights - Original Mix?
Flashing Lights - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Flashing Lights - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Flashing Lights - Original Mix good for peak time?
With energy 60 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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