Leavin'
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 69/100
- Pop
- 1/100
- Length
- 6:13
- Released
- 2000
- Genre
- House
- Loudness
- -8.4 dB
- ISRC
- GBCPZ0100357
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Leavin': peak-time tempo house, C major (8B), 128 BPM. The feel is dark and driving. The groove is loose and less beat-driven. It is vocal-led. A 2000 production that still circulates in sets. Less groove-driven than 99% of Roger Sanchez's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 99% of Roger Sanchez's catalogue
- Tempo:
- faster than 82% of Roger Sanchez's catalogue
- Energy:
- calmer than 80% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Leavin' in?
Leavin' by Roger Sanchez is in C major, or 8B on the Camelot wheel.
What BPM is Leavin'?
Leavin' runs at 128 BPM, a peak-time tempo track.
What mixes well with Leavin'?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Leavin' good for peak time?
With energy 69 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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