Power of One - Kerri Chandler Brazil Mix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 68/100
- Pop
- 1/100
- Length
- 8:05
- Released
- 2020
- Album
- Power of One (Kerri Chandler Brazil Mix)
- Genre
- Deep House
- Loudness
- -13.4 dB
- Dynamics
- 11.2 dB
- ISRC
- NLYC62000054
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Power of One - Kerri Chandler Brazil Mix: peak-time tempo deep house, B♭ minor (3A), 128 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 96% of Kerri Chandler's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 95% of Kerri Chandler's catalogue
- Low end:
- more bass-heavy than 79% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Power of One - Kerri Chandler Brazil Mix in?
Power of One - Kerri Chandler Brazil Mix by Kerri Chandler is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Power of One - Kerri Chandler Brazil Mix?
Power of One - Kerri Chandler Brazil Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Power of One - Kerri Chandler Brazil Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Power of One - Kerri Chandler Brazil Mix good for peak time?
With energy 68 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.