A Quiet Life
- Key
- 9B · G major
- BPM
- 129
- Open Key
- 2d
- Energy
- 66/100
- Pop
- 0/100
- Length
- 10:21
- Released
- 2012
- Album
- Water Jump
- Genre
- Techno
- Loudness
- -9.1 dB
- ISRC
- GBTZZ1200022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Quiet Lifeoriginal9B · 128
A Quiet Life is a peak-time tempo techno track in G major (9B) at 129 BPM. A 2012 production that still circulates in sets. More underground than 99% of Daniel Avery's catalogue.
- Brightness:
- darker than 91% of Daniel Avery's catalogue
- Groove:
- less groove-driven than 78% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A Quiet Life in?
A Quiet Life by Daniel Avery is in G major, or 9B on the Camelot wheel.
What BPM is A Quiet Life?
A Quiet Life runs at 129 BPM, a peak-time tempo track.
What mixes well with A Quiet Life?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is A Quiet Life good for peak time?
With energy 66 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 129 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Daniel Avery
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.