Message - Developer Remix V2 by Truncate cover art

Message - Developer Remix V2

Truncate

30s preview

Key
1B · B major
BPM
129
Open Key
6d
Energy
63/100
Pop
0/100
Length
6:09
Released
2013
Album
Message
Genre
Techno
Loudness
-15.9 dB
Dynamics
9.6 dB
ISRC
USQY51785120

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 126 BPM), this version runs 3 BPM faster and moves the key from 9B to 1B.

A peak-time tempo techno cut, Message - Developer Remix V2 sits in B major (1B) at 129 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Truncate's catalogue. For programming, treat it as a mid-set roller.

Brightness:
darker than 92% of Truncate's catalogue
Low end:
more bass-heavy than 90% of Truncate's catalogue
Energy:
calmer than 78% of Truncate's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood3Dark
Groove80
Acoustic5
Instrumental93
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
52%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is Message - Developer Remix V2 in?

Message - Developer Remix V2 by Truncate is in B major, or 1B on the Camelot wheel.

What BPM is Message - Developer Remix V2?

Message - Developer Remix V2 runs at 129 BPM, a peak-time tempo track.

What mixes well with Message - Developer Remix V2?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Message - Developer Remix V2 good for peak time?

With energy 63 out of 100 at 129 BPM, it works best as a mid-set roller.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

#Track

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 129 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

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More from Truncate

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track