Stage Capture
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 5/100
- Length
- 6:38
- Released
- 2018
- Genre
- Techno
- Loudness
- -9.7 dB
- Dynamics
- 11.2 dB
- ISRC
- DEY471812881
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stage Capture is a peak-time tempo techno track in F♯ minor (11A) at 128 BPM. It reads as dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Hotter than 91% of Marco Faraone's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 90% of Marco Faraone's catalogue
- Low end:
- more treble-tilted than 87% of Marco Faraone's catalogue
- Reach:
- better known than 80% of Marco Faraone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Stage Capture in?
Stage Capture by Marco Faraone is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Stage Capture?
Stage Capture runs at 128 BPM, a peak-time tempo track.
What mixes well with Stage Capture?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Stage Capture good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Radio Edit by James Hype cover art](https://i.scdn.co/image/ab67616d00001e026765d0883c039e176b6c34e3){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Extended Mix by James Hype cover art](https://i.scdn.co/image/ab67616d00001e0273ad330a49b697de19118f71){kind=small}
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