Psychic by Kevin McKay cover art

30s preview

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
94/100
Pop
1/100
Length
6:04
Released
2023
Genre
House
Loudness
-8.9 dB
Dynamics
9.7 dB
ISRC
GBPQS2300020

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Psychic is a peak-time tempo house track in F♯ minor (11A) at 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 88% of Kevin McKay's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 85% of Kevin McKay's catalogue
Brightness:
darker than 77% of Kevin McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood49Balanced
Groove80
Acoustic0
Instrumental82
Live21
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Psychic in?

Psychic by Kevin McKay is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Psychic?

Psychic runs at 128 BPM, a peak-time tempo track.

What mixes well with Psychic?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Psychic good for peak time?

With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

#TrackKey·BPM

More from Kevin McKay

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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