Nucleus - Advanced Human Dub
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2016
- Album
- Nucleus Remixes
- Genre
- Techno
- Loudness
- -8.5 dB
- Dynamics
- 9.3 dB
- ISRC
- FR2X41661858
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nucleus - Mark Broom Dub Mixversion4A · 128
- Nucleus - Raiz Remixremix3B · 125
- Nucleus - Stefan Vincent Interpretationoriginal9B · 130
Against the original (9B at 130 BPM), this version runs 2 BPM slower and moves the key from 9B to 3B.
Nucleus - Advanced Human Dub runs 128 BPM in D♭ major (3B), a peak-time tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 84% of Mark Broom's catalogue
- Energy:
- calmer than 82% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Nucleus - Advanced Human Dub in?
Nucleus - Advanced Human Dub by Mark Broom is in D♭ major, or 3B on the Camelot wheel.
What BPM is Nucleus - Advanced Human Dub?
Nucleus - Advanced Human Dub runs at 128 BPM, a peak-time tempo track.
What mixes well with Nucleus - Advanced Human Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Nucleus - Advanced Human Dub good for peak time?
With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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